Public broadcasting for the 21st century pdf

Radio is the last of the traditional mass media to navigate the convergence phenomenon; convergence itself has an inherently disruptive effect on traditional media forms. However, in the case of radio, this disruption is mostly self-induced through the cultivation of communications policies which thwart innovation. As a result, the future of HD Radio is quite uncertain. The review committee examined these cultural institutions with regard to their past accomplishments, their present performance, and the changing world in which they will operate over the next decade, while taking into account current budgetary constraints.

The institutions apprised the committee of the measures they envisage to make themselves more effective, efficient, and productive, and the committee examined a number of solutions for reducing the cost of providing their services. In addition, the committee considered whether all those services continue to be essential, whether the institutions themselves are still indispensable, and whether and how they need to change.

Finally, the committee proposes a set of policies and a redefined role for those institutions for the next decade. Beginning with the general theoretical framework behind the development of European broadcasting, authors look at the regulatory framework, the role of the European Commission, the restructuring of the communications industry, the impact of American cultural products, and the future of public service television.

Eight country studies of Western European broadcasting systems are then presented, along with country studies from Russia, Canada, and the United States for comparative purposes. The CD-ROM provides data about the general development of broadcasting, as well as mapping features allowing readers to compare broadcasting implementations in different countries.

Annotation copyrighted by Book News, Inc. In the 21st century, however, as same-sex couples have seen increasing mainstream acceptance, and a broader range of queer characters has appeared in the media, it seems natural to assume TV portrayals of queerness have become more enlightened.

But have they? This collection of fresh essays analyzes queerness as depicted on TV from to the present. It will allow them to think well beyond the standard formulae about the function of public service broadcasting and its role in society.

Market pressures have also encroached on the original mission of public broadcasting, which was to "provide a voice for groups that may otherwise be unheard. Whether they are working to defend and expand democratic access to existing media or building their own media alternatives through the radio, television, or the World Wide Web, they are pioneering new ways of sharing information. In the Decline and Fall of Public Broadcasting, David Barsamian gives an insider's account of these new media activists and the challenges they confront, drawing on his years of experience in public radio.

Since , Barsamian has been the producer of the highly acclaimed Alternative Radio, a weekly one-hour public affairs program broadcast in North America, Europe, South Africa, and Australia, as well as short-wave radio and the Internet. David Barsamian is the producer of the award-winning syndicated radio program Alternative Radio. Said have sold in the hundreds of thousands.

With contributions from key scholars from a wide variety of disciplines, this volume examines the crisis facing public broadcasting today by analyzing the institution's development, its presentday operations, and its prospects for the future. Covering everything from globalization and the rise of the Internet, to key issues such as race and class, to specific subjects such as advertising, public access, and grassroots radio, Public Broadcasting and the Public Interest provides a fresh and original look at a vital component of our mass media.

Public Broadcasting in America Author : L. The CPB was intended to provide a funding mechanism for individual public broadcasting stations, but not subject these stations to political influence or favouritism. Therefore, the CPB receives an annual appropriation, and then uses this money, in addition to foundation, corporate, individual memberships, and other funding sources, to provide grants to individual public television and radio broadcast entities.

The number of radio and television public broadcasting stations supported by the CPB increased from in to approximately 1, as of August , of which are television stations. Public broadcasting stations are mostly run by universities, non-profit community associations, and state government agencies. Public broadcasting is regarded as a public service.

With regard to programming, the public broadcasting system observes the principle of local autonomy. That is, public broadcasting stations make decisions independently of the CPB as to what programming will be available to their viewing or listening audience as well as on their programming schedule. The CPB serves as an umbrella organisation for public television and radio Broadcasting.